Narrative and Narration Essay

Narrative and narration in haves atomic number 18 the way in which the reference follows the plot. The difference between narration and narration is solely tangiblely clear when both atomic number 18 understand properly.Narrative is basic each(prenominal)y the way we earn all the events in a mental picture unfold. E.g. Blair delight Project. A group of collar students go into the woods to consume a documentary ab egress the myth of the Blair Witch. What we tick is the peck occupy allthing that they do. We see (in a nutshell) them rag lost, get frighten and then(prenominal) playing at a wall. write up is the process with which a admit conveys or withholds level information, the way the story is told. Narration concerns the actual arrangement and presentation of the story in the film, the way the film distri hardlyes story information in order to achieve specific effects. E.g. in the Blair Witch Project the story conveys the idea that there is aroundthing tur n up there, tho it withholds all the information on the thing by never masking any(prenominal)thing out of the ordinary.Once these both are understood we have to timbre into the two other effects to do with narration. These two are all-knowing and restricted narration. Omniscient narration is where the audience is subjected to information from macrocosmy sources such as Lock Stock and two Smoking Barrels. The film switches from one percentage to the next all the time, thus we never get to know one reference work more(prenominal) that any other. Plus it gives the audience more information than any of the characters, so we have an advantage everyplace them all, which creates a tonusing of suspense beca single-valued function the viewer is on the edge of their tush wondering if a accredited character lead find out a specific piece of information. Restricted story is where the film conveys the narrative to the viewer via one character. E.g. Get Carter. In this film we get nearly all of the information from Jack Carter. He is in almost every scene. The advantage of this is that you know everything Jack knows, also everything that he doesnt know. This is use in the British gangster genre film because is ads mystery to the query what will find out to our man (JackCarter) next.Tzvetan Todorovs possible action of narrative anatomical structure is a very simple way of explaining filmic narrative. The following is a loony toons from the theory followed by an example of this from the film Armageddon. A state of counterweight. Everything in the humans is fine. People getting on with their run of the bomber lives. The main star is seen grafting on an oil rig. A psychological infirmity of that order by an event. NASA discover a astronomic fanny leaning coming to earth at an enormous speed. We also see New York get hit by a meteor force which emphasises the enormity of this event because the rock was fitted to squash such handsome and strong city corresponding New York. A recognition that the disorder has occurred. NASA devises a plot to stop the rock ending all keep on Earth, by sending a bunch of drillers to land on it, dig a hole, set of a nuclear bomb and set out home stares. A return or restoration of a brand- new-sprung(prenominal) remainder. The rock is blown to shreds and the man is saved, so that now everyone flowerpot continue grafting for pittance just standardized before. The new equilibrium is accent by the shot of the wedding at the end with the photo of the peck who died during this event, so there is less characters so its different from the original equilibrium. This new equilibrium is necessary or otherwise there would be no difference between the start and the end of the film so it would be pointless to watch it if nothing interesting has happened in the main event.So when a film is viewed in this way we get a riger understanding of the plot because we illuminate that its not a straigh t linear concept, but a circular one. Otherwise how do we get backwards to the equilibrium if it goes straight. that it can also be argued that it is not a circular process because its not going back to a equilibrium like before but back to a new equilibrium so effectively its going in a linear structure. The narrative in the film is driven by attempts to restore equilibrium. But Todorovs theory does not end there. Oh no. Todorov also argues that narrative involves a transformation. The characters or the situations are transformed through the progress of the disruption. E.g. Halloween. In this film Laurie Strode starts out as a geeky teenager who is more concerned with her lessons than sons. Shit, what, I forgot my chemistry book. Hey Laurie I just got you a date with that boy you like. Oh no please tell me you didnt. I sure did. OK then you gotta ring him onthe morning and cancel the whole thing. But then at the end of the story (which concludes at the end of the subsequence Ha lloween 2) she is a over overmuch stronger character. This is emphasised with the character in Halloween H20 where we see how much she has moved on from geeky teenager to a confident, strong, energetic mum.Vladimir Propp believes that the characters in a film have a narrative function in the text. Characters are there to help provide a structure for the text. He found eight basic characters who perform a certain function. Following are the eight characters and with examples of their counterparts in some famous films. The HERO. In The Matrix modern is the psyche who on a quest for something gets drawn into a world of UN-reality and comes out the unlikely wedge after being trained to realise the truth. This is a common action/thriller genre film technique, because it helps the audience feel related in a way to the paladin because you realise that it could happen to anyone of us. This is used in Enemy of the State. Will Smith is the rough-cut nothing and ends up learning how to ou tsmart the American Government, which are so hard to outsmart apparently. The VILLAIN. In Halloween the villain is the maniac killer Michael Myers. As with most horror films at least the villain (a killer more times than not) is a psychopath. E.g. Friday the 13th, Mrs Voorhees is the shock killer, her son was killed in the hypothesis of the film. Nightmare on Elm Street.Freddie Kruger is the mysterious killer who slashes bulk up in their sleep. In Night of the Living Dead zombies are the weird dead things that try and kill everyone. In The Texas Chainsaw mow down its a family of freaks that lure people in and then killem. These are the films that scare people. The Villains that shock people are the ones that you cant see. Such as the devil in The Exorcist or the witch in The Blair Witch Project. The lawsuit why the films conked was because the viewer was taken into a world of un-reality and this stir people. It let them be witness to what reality would be like in a unreal soc iety. But more recent horror attempts such as the Scream trilogy and Children of the Corn use real people as the freaks who go on killing sprees. This kind of film scared film fans because it gave the impression that anyone can turn into homicidal maniacs. These films were not as praised as the old fashioned films by big horror fans such as myself becauseit tries to play the audience into believe something which is already happening in the world, whereas most people go to see films to get away from reality, the new sort of horror film just shows you real life situations. The DONOR. In my view the donor in 90% of films is the narrative. The reason being that in most films the plot is for the good guy to whip the large guy.This can be by arresting them, killing them etc., but it doesnt really matter. The donor provides the object for the hero to go for, or the heroes goal, and this in most films is the neutralisation or stopping of the bad guy. So when lifeed at like this we see th at its the films presentation that provides the goal for the hero. The DISPATCHER. The dispatcher in a film is the person who sends the hero on their way. In the film The Lion King the dispatchers are Nala and Moustapha. The reason why its these two is because they persuade Simba to go after Scar and regain his kingdom as the king. These are one of the key characters in the story because if it wasnt for them the hero would no nothing to try and fix the situation. The FALSE HERO. The false hero in the film The World Is Not Enough is the character Electra. She appears to be on the side of the hero (James Bond) but then turns against him. She provides him and M with information that appears helpful to their cause but we then realise that its part of a trap, between her and the bad guy.This character is very measurable to the flow of a film because it provides the viewer with a reason to then go on and hate that character, because we relate to the hero and as that person has screwed th e hero we therefrom feel that she has screwed us to. So in a way it personalises the character with the audience. The HELPER. The assist in a film is the person that seems knowledgeable in a certain aspect of the plot and then goes onto help the hero. The helper in Halloween is surface-to-air missile Loomis. This character is usually a person who for some reason knows the actions of the bad guy. In the case of Sam Loomis he is the furbish up of Michael Myers. This helps him know what the killer will do next. He tells the sheriff that the killer will return to Haddonfield to try and kill his one surviving relative Laurie Strode. If it wasnt for this character the hero would have no chance of stopping the bad guy because he knows absolutely nothing about it. Its also the analogous in Enemy of the State. The helper Gene Hackman (Brill) is the person who knows all about surveillance, the US governments capabilities, so therefore can help the hero (Will Smith) overcome thechallenge t hat the narrative of the film has set out.The PRINCESS. The princess in a film is the sexual practiceual reward for the heroes good work. The princess in Armageddon is played by Liv Tyler and is the reward for the partial heros (Ben Afflleck) hard work in saving the planet from total destruction. The princess character is very important to the closedown if the film because it is possible for the men to relate to it. The way is that the emblematic family picture in the world today still is that man goes out to work, women cleans the house and kids go to school. The man comes home from work and gets some sex for all his work, just like the hero in the film. Also like in Gone in 60 Seconds, Angelina Jolie is the reward for Nicholas Cages efforts at stealing 50 cars in one night.The FATHER. The father in Armageddon again is Bruce Willis. The role of the father is to reward the hero for a business sector well done. In Armageddon the reward for good work is being able to live with the fathers daughter, because the father rewards him for good work by staying on the rock and choosing to die himself. The father in the film also acts as the man with all the knowledge that holds the group together. In Gone in 60 Seconds the father Auto (Robert Duval) acts as the all powerful, all knowledgeable person whos been there before and therefore is the person who can draw all the younger ones in the right direction. All of these eight points of characters accept the film. Not just one but all of them. When smacked at in greater detail Propps theory we realise that its the way we sub-consciously look at the characters that makes the viewer thank anything of a certain film.In conclusion narrative and narration are the key elements that make a film what it is. All the above theories are vital, when it comes to reading a film in detail. These theories are useful because they make us view the film in a different way than you normally would. They help you to understand what the wideness of certain characters and effects are. They help the viewer view key elements in totally different ways and to understand them in a much deeper detail than before. E.g. When I first saw Halloween I saw Sam Loomis as an old doctor who seems a bit crazy upstairs. I thought his importance in the film was minimal and that he was only there to involve a British dude and now when I watch the film I can realise how important his character is to Laurie Strodes quest to kill the Shape. If it was not forhim no one would have any idea of his intentions and that he would return to Haddonfield.So basically youre conclusiveness as to weather you like a film or not can be identified by breaking down the certain aspects of a film down into questions. I.e. How do the films narrative functions effect youre overall perception of the film.? How does the films narration effect the way you perceive the film. When you look at Todorovs theory of narrative structure how does your view of the film change from the one you had of it before you compared it to the points Todorov makes in his theory? How does Propps theory of characters and narrative function make you look at the characters when you also look at the eight points outlined in his theory? All this on with all the stuff to do with camera movement, use of sound, use of lighting, use of Mise-en-scene and the way the plot is portrayed all help you understand a film in a deeper way than before.